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Emerson's Invisible Eye
Being both an only child and the son of a photographer, I have always looked at the world more as something that is as it is no matter what instead of the world and the people around me being something and someone that is constantly being influenced and essentially changed in a very real way by every action that I made. This is why I think it very fine for photojournalists to be Emersonian's invisible eyes, going around and exploring the world but not influencing the natural occurances of the world. A little like being a scientist not wanting to influence an experiment or an anthropologist not wanting to push the primitive into the modern through the force of will. Like these nobles, the photojournalist's essential mission is to capture history real time. To share the beauty and the horrors of the world. No, journalistically, let the image speak the thousand words. To give Powerbars and chocolate and bottles of water to starving Sudanese is actually a disservice. The photojournalist is in fact the farthest thing from being inhumane. The photojournalist is more heroic than the soldier. The photojournalist is able to collect the most bold of truths. It is not inhumane for the photographer to ignore the suffering of man or beast. In fact, the photographer, the photojournalist is passionately engaged. The blowback comes from the intimacy and success of these images. The blowback comes from being with the poachers who are netting Orangutans for zoos and medicine, the blowback comes from being with the warlords as they intercept UN and NGO supplies, only to force the people deeper and deeper into starvation. All for an image. And that isn't the only step. The largest step that needs to be considered is how much trust the shooter must build in order to be allowed deep into the bush with the poachers or behind enemy lines with the rebels.
